What Makes a Novel Scary?

This question is almost impossible to answer, but I believe it boils down to atmosphere and the author’s personal goal. Horror is all-around a difficult genre to work with, because horror is just so subjective, but books, as I’ve found, are one of the harder mediums to make scary. Movies, I think, would actually be somewhat harder because they require a large, perfectly functioning team effort, but as far as something you would create by yourself, it’s books and stories. I love horror for its creative stories, but personally have only been not just unnerved, but genuinely scared by a very, very tiny handful of books. This makes me either an amazing or a terrible horror writer, because nothing I create scares me, either. Granted, once you’ve spent hours tweaking the details of a phantom, it kind of loses every ounce of its fear factor, but working on this latest book, I have learned a lot about what horror takes.

What kind of “scary” you’re going for can be changed instantly depending on how your concept and execution match up. If the concept is terrifying, but the execution is over-the-top and silly, a thrilling, serious horror could turn into an unintentional comedy. The overlap between humor and horror is really difficult to prevent, though I’ve found most good horror books have a bit of self-awareness about it when it happens.

When you are creating horror, consider what scares you, and what you want others to feel from your book. Dread? Panic? Fear? Sorrow, even? Or would you rather it be a dark comedy? Horror relies heavily on anticipation. The general feeling, and how this anticipation will be built up is the most important thing to know, before even deciding if it fits into any sub-genres. Genre labels are not actually that important, in the long run. Many of the greatest books I’ve ever read, or ones that are celebrated by the public, do not clearly fit into any singular genre. Some do, some don’t. It’s good to know, but it doesn’t matter nearly as much as succeeding at whatever atmosphere you want to convey. Continue reading “What Makes a Novel Scary?”

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Halloween on the Horizon

Image result for creepy vintage halloween costumes

Halloween, limited to a single day? I don’t think so. Didn’t you know that the entirety of September and October exist solely as an excuse for horror to be socially acceptable for awhile? Who am I kidding, of course you did! They haven’t renamed it Septober on Mars for no reason…

Image result for santa claus conquers the martians gif

I already prepared most of this year’s Harvest of Horror special back in May and June, because I was anticipating publishing a book near Halloween, and wanted to give myself plenty of time. I ended up with a couple of excess horror-related shenanigans that I no longer have room for to publish during H.H., and I don’t really want to save them for next Halloween, so I’m going to go ahead and publish those this month. I only start to wake up around September, so this is a perfect way to get started.

Last year’s Harvest of Horror was somewhat unfocused, because it was the first Halloween special I’d done since starting this blog, but I ended up featuring mostly books. This year, the special will revolve around horror as an interactive medium, in video games and other alternative methods of storytelling. I’m doing a countdown of the, in my opinion, best and worst horror video games, as well as some unrelated horror reviews and posts, and of course, Haunt Me to Sleep should be published by the end of October. I’ll be posting previews of it sometime this month, too, as I think I’ve already mentioned.

Some more of what’s happening in September includes a week dedicated to the Silent Hill franchise and its legacy – the main series, the books, the movies, everything – and some miscellaneous horror reviews and poems. Also coming up is some art! Yes, I’m actually posting some drawings again. I talk about it often, but go through with it rarely. The ePub and paperback editions of MHz should also be out soon. There was some complications with the cover design and formatting that prevented them coming out when the Kindle version did, and I didn’t figure anybody was in a huge rush for it to be out, so I’ve put off fixing it. ‘Tis the way of procrastination. Anyway, hope everyone’s looking forward to Halloween as much as I am!

A Commentary on Cosmic Love

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+Cosmic Love is free to download on Amazon, B&N, Kobo, and Smashwords. Get a copy worldwide in any format here. Add Cosmic Love on Goodreads here. A paperback is also available.+

Genre: Poetry / Dark Fantasy / Romance

Commentary: Cosmic Love was unceremoniously plopped out as a miniature chapbook of haiku in early 2018. Its second half, Parasite of the Sun, was also supposed to be its own separate book, but the two were so thematically similar and short that I conjoined them to save time.
The project began namely as an experiment to test myself, to see if I could handle the rigors of publishing a piece of writing. Spoiler: I couldn’t! The initial “beta” version was not that good, and it still brings shame to me just how many people read it! I suppose it shouldn’t. I mean, there must have been something salvageable about it that I didn’t see, or there wouldn’t have been nearly over a hundred downloads by the time I took it out of print that fall.
I feel like, no matter what I write later on, Cosmic Love will always be my most popular poetry book. At least now, I can be somewhat proud of it! In both cases, I was determined for the cover to be pink. And it is certainly pink.

The new version was developed from February to April 2019, off and on and in snippets. The haiku are still present in the final, or what I like to call the “real” version, but cleaned-up and strung with the freestyle poems in a more coherent way, to form working themes of tragic love, cosmic horror and cosmic beauty. The oldest poems are “In the Land of Rust”, “System Time” and “Patchwork Tower”, which are all out of a notebook I kept in high school. They have been cleaned up heavily from the source poem, don’t worry! They aren’t that old, but it’s amazing to see how your writing changes and, hopefully, improves in just a few years.

Some of the inspirations for this collection were the science fiction novels Double Star by Robert Heinlein and Dune by Frank Herbert, and various sci-fi horror films like Sunshine and Fantastic Planet. Retro sci-fi in general, with a blend of Eastern philosophies served as kind of the building point that Cosmic Love grew from. One poem that might be intriguing is “Wandering Melon”. The title, and obviously the poem itself, were inspired by the nara melon, a mysterious fruit that somehow survives and thrives in the hottest, most arid parts of the world, in Namibia.

What ended up being probably my personal favourite poem, “Hidden in a False Sun”, was written on a day, on a whim to enter into a contest. It didn’t win but it did appear in an issue of Radium Piano Band, along with my second-favourite, “In the Land of Rust”.

The passion of sound flares my final dream
I evaporate in the corals of Neptune
Into the parhelia of a hidden sun –
No one else will know what I found there

-from “Hidden in a False Sun”

Personal Fave Poems: “In the Land of Rust”, “Hidden in a False Sun”, “Promenade of the Palm”

Never Finding the Book You Want

“If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” – Toni Morrison

Does this sound familiar to anyone? Something that has always plagued me when seeking out new things to read is that there never seems to be enough of what I crave from specific types of books, whether we’re talking about the psycho-visual aspect of the writing or the story itself. This is even true with just a single author’s catalogue. One of their books may have that exact “vibe” I’m looking for, and the rest may lack it. It’s hard to pinpoint anything about the feelings I seek through books, save for a jumble of loosely coordinated images.

All of my current books are poetry, but I’m a fiction writer at heart. To soothe this dilemma was one of my key motivations in transitioning more and more into fiction, beginning this fall. Poetry can capture some of those, I don’t know what exactly to call them, I suppose “ambiences” or “atmospheres” would be appropriate, but not nearly as efficiently as a story, which has more time to build it, until it becomes a tangible thing that you remember, though of course none of it actually happened.

There are two “ambiences” that I have the most trouble finding in published books – one I could describe best as “urban psychological”, like that feeling you get wandering an empty, fluorescent-lit street or listening to smooth, ambient lo-fi music. Japanese novels and urban thrillers are probably my best bet for reliving this feeling in a book, as I’ve had the most luck with them, but unfortunately, there is only so much to choose from. The second is the “ambience” of occult mystery. I have yet to find more than a rare handful of books that truly capture that sinister feeling, and it would be difficult to describe. A transcendental, conspiratorial sort of horror, maybe. One that got that “ambience” right – even though the book itself isobjectively not that great, I loved it nonetheless for this reason – is the obscure paranormal novel The Sisterhood by Florence Stevenson.

Anyway, just some curious musings on my never-ending scour of the shelves. Have you had a similar problem? Feel free to leave a comment.

News on Haunt Me to Sleep

Haunt Me to Sleep is my debut fiction project. I’ve talked about it a little bit, but before I was positive about what the project was going to be like. It hasn’t quite strayed entirely away from poetry, as there are multiple prose pieces, but I thought a mix of styles would be perfect for what I was trying to convey. There are 52 pieces total, most of which are stories or prose. I think about 10-12 of them count strictly as poems.

Haunt Me to Sleep is an unorthodox book of “ghost stories”. Some are ghosts in the traditional sense, and some are more like mythological monsters. On the other hand, some are more metaphorical “ghosts” – something that haunts a character that isn’t really a tangible person or thing. I drew heavily from Japanese and Cherokee mythology for the design and nature of some of the ghosts, as well as themes of existential horror and common phobias.

This book, this insane book, which began as a pet project, has absolutely consumed the majority of my spare time. (Have patience with me! This book might have actually become some kind of evil entity by this point.) What was initially a poetry book of roughly ninety pages is now a fully fleshed-out book of short stories that I estimate will top out at 43k words. I’ll probably be able to post some illustrations from it soon, as I’ve set it to be published between late September and mid-October.

As of today, I still have about eight stories to clean up. Seems like a lot, but none of them are over eighteen pages. Everything else is finished, save for the cover and some touch-up on the interior artwork, which hopefully, you’ll love. The ghost portraits turned out very creepy and quirky. I am not as practiced a horror artist as say, Junji Ito or Stephen Gammell, but for a twenty-something novice, the illustrations at least look professional and smooth. Anyway, it’s something to look forward to, and I really can’t wait to start sharing some excerpts from it! 🙂

Is It Ever Okay to Ban Books?

You would think the automatic, short answer to this question would be a resounding “NO”, and you would be correct… ninety-nine percent of the time. There is the rare book that should be banned for promoting hatred, but unfortunately, these tend to only be published within private circles. The good thing about that is they’ll probably never reach the mainstream public, but the bad thing is that someone thought it necessary for hate lit to exist in the first place, and also that they sometimes slip into the library of public domain if they’re old enough or the copyright has expired. Who would ever want to own the copyright for a piece of hate lit is beyond me, though.

When you consider most classics were banned somewhere simply for being honest about uncomfortable topics, or “brazen” with their writing styles, it really makes most controversies with books seem pointless. I think that there are cases where toning down content or mild censorship for a specific audience are okay, or even a good idea. But it should always be the decision of the author to do so. Massacring the hard work of another because of your own cowardice is the sin of sins, to me.

What brought the question up is that I’ve seen a recent upswing in banning and ordering censorship edits of books within independent publishing – yes, independent books, you read that right. The avenue created expressly for freedom of content is not allowing certain books on their platforms. And before you ask, yes, it’s mostly erotica and horror being subjected to censorship. What are arguably two of the first genres to ever exist, along with fantasy, have been challenged right and left since conception. Continue reading “Is It Ever Okay to Ban Books?”

Depression and Recovery

Has this been the worst, most godforsaken, vindictive, worthless year in existence, or what? I thought 2016 was nothing but suffering, but 2016 was baby toys compared to what 2019 has been. It’s just 2016 with the last number turned upside-down, which apparently makes it worse, though some kind of time necromancy.
Apparently I am not the only one, because I’ve seen more posts about recovery, depression, mental breakdowns and sorrow than I can count in the past month, on different blogs. I usually can find something creative to say when an experience is bad, but I have none for this year, and it’s only halfway over.

I’m battling an extremely difficult recovery, so I know it’s only been a few days since I posted, but that’s the primary reason my review series haven’t wrapped up or developed. All the words have been gradually stolen from me by the abyss, even the ones written by other people! It seems like every time I try to read, a boombox cuts on somewhere and I get serenaded to tuneless bass. Such is life, and nobody in mine can stomach silence.
Cleaning up my ghost stories project has also cannibalized a chunk of my free time, but that’s one of the rare things that are actually positive, so I’m not going to blame it. I feel better now, so hopefully I’ll be able to get to them soon. I suppose many good things have come out of this year, but the costs they’ve come at are almost not worth it.

Writing Progress – Project Gluttony

This is by far the most difficult thing I’ve ever had to write. The apt name Project Gluttony is a working title for a horror novel which will be part of a heptalogy loosely correlated to the seven deadly sins. It’s not exactly a series, but I’m treating it like one for the sake of progress. The books are barely related to each other, and might not even have the same publisher.
I feel like Gluttony will not be the most difficult of the seven, but it’s veering damn close, so perhaps it is better I’m getting it over with this year. Project Gluttony and Project Envy are the most pressing because they are the most developed – Envy has been much easier, since it’s basically a full-length adaptation of a short story I’d already written. (It wasn’t so short either, topping out at about forty pages.) Envy is also nearing completion, which means I’m allowed to take a break on it.

Gluttony, however, deals with more tender subjects that I have to be more careful with handling – namely abuse based in religion, and it is for the most part completely freestyle, since only a half-draft of the first two chapters existed, and I’ve since had to rewrite from scratch because they were terrible. I originally began the novel for an open call for pieces of horror fiction, which I’ve since forgotten the initial point of and is possibly long over. Continue reading “Writing Progress – Project Gluttony”

Writing Progress – Seven Sins Heptalogy

My book blogging unrelated to my own work is going on a soft hiatus throughout the summer. Reviews won’t halt, just slow to a crawl because this project will and is starting to eat up my already scarce reading time. Due to recent unforeseen upheavals in my life and this heptalogy, I won’t have as much opportunity to curtail the reviews, and would rather not update than risk posting something that was notably low-quality. Not a huge deal, this is just so you won’t be surprised when there’s more list reviews and re-reviews than previously unexplored books.

Anyway, what the seven sins heptalogy is, is not exactly a “series”. It is seven books that are tenuously related at best – I think some might be set in the same universe but with little-to-no overlap in settings and characters – but are labelled by their general theme. Project Envy, Project Gluttony, etcetera.

I have a lot of difficulty focusing on specific projects to finish, so decided to pull ten major ones that I cared about most from my list and complete them all before I allow myself to start anything new. I figure that if I can finish these works of fiction, I will be able to consider myself a true success as a writer, even if they don’t come out immediately after they’re done. Future works will flow out with far less distress. Continue reading “Writing Progress – Seven Sins Heptalogy”

The Book Genres I Don’t Like

At the risk of coming across as one with that title, I am not exactly a literature snob. I don’t care what it is, who wrote it, whether it came out as a mainstream title, indie, or had to be etched on a tome of warlock flesh. I do not care as long as it’s decently written and has visible effort put into it, even if marginal amounts. Transgressive or clean, unorthodox or classic, I like certain things about most types of books.

That being said, there are genres I won’t read and don’t like. There are a handful of exceptions in these genres that I’ve picked up, and I don’t think that they are “worthless” genres. Somebody loves them, or they wouldn’t be written and continuing to sell copies. I just have not acquired the taste for them. There are my opinions, I don’t fault anyone for finding something they love in these genres that I don’t see in them. To each his own.

Splatterpunk
This one pains me on a heartstring level. I adore horror. All of its subgenres, too… except splatterpunk. Splatterpunk is the black sheep (or bloodstained sheep?) of horror to me, I cannot force myself to like it no matter what. If anyone can point me to a quality splatterpunk book, please do! I want to like this subgenre so badly.

I’ve concluded that what I don’t enjoy about it is not the relentless violence, although that is admittedly pretty boring after so much exposure, but the ones I’ve stumbled upon have not been well-written. They read like edgy high-school essays sprinkled copiously with the thesaurus choices for “viscera” and “blood”. One exception is Clive Barker’s Books of Blood, which are decidedly more dark fantasy but have a distinct splatterpunk element and are a good read. In fact, Barker is cited as one of the fathers of the splatterpunk movement, but I suspect this is more for his Hellraiser works. (I liked the first movie, never read the novels.) I think splatterpunk can work when moderated with something else. Like, just describing gore is not going to evoke fear automatically, even in the very sensitive.

Body horror I find unsettling because it creates an “uncanny” effect – it seems human or animal, but it’s neither and your eyes and mind register that. Gore on the other hand is not fundamentally scary, not even in real life. In real life, it’s only scary because you want to get the person whose guts are hanging out to a freaking hospital. What could make that situation horror is if the hospital was an American one and turned them away, intestines in hand, because they didn’t bring their wallet.

Contemporary Romance and Harlequins
I know, I know. True lit snobs always bear an avid hatred for the romance genre. I don’t dislike romance, though. As is the case with splatterpunk, I feel like diluting the genre with some other genre or factor makes it better. As a pure chemical, it ain’t digestible. Like sodium and chloride. Individually, they are dangerous, together they are delicious table salt. Continue reading “The Book Genres I Don’t Like”

Writing Process – When to Describe Characters in Detail

From personal experience and discussing this with other readers, it used to kind of bemuse me how much people hate detailed physical descriptions of characters. I’ve not been able to pinpoint why, but upon taking this into consideration, I’ve noticed many (but not all) of the best novels I’ve read don’t rely heavily on what a character looks like. It’s usually kept to simple descriptions or notable features, say for instance if they have piercing blue eyes or are unusually thin, but their every freckle and hair won’t be described in detail. It’s just enough to fuel an image for the reader, who will make what they will of what the author’s given them. Not all readers, but many readers, will feel a bit stripped of the chance to stretch their imagination if you describe literally everything about a characters and leave nothing to be visualized on their own. Continue reading “Writing Process – When to Describe Characters in Detail”

Writing Progress – May 21st

This is mainly for my own benefit, but if it interests you, feel free to follow along with these posts. Fair warning that they will be more stream-of-consciousness than my other types of posts, seeing as they are to primarily serve as measurements and raw notes. Since I have essentially nothing else to until I go back to college (and then probably quite little to do that’s of any account) I’ve decided to cram some novel-writing into this year. Including the short stories book I was already working on, I’ve decided that four would be the least stress. The three novel-length works are one psychological horror, one young adult, and one I will just call dark fantasy because I don’t know what it is yet.

Writing Progress by May 21st, 2019
Haunt Me to Sleep (short stories) – No work this week, but is around 1/3 complete
Untitled Novella (psychological horror) – At 13,000 words
Untitled Novella (young adult) – Rough outline, no official words yet
Untitled Novella (dark fantasy) – Rough outline, no official words yet
Other Things – Infinite Summer and MHz on the verge of completion at around 50 pages apiece. These only lack finished cover art.

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Writing Process – Comparisons

One of my much-abused quotes, because of how appropriate it is for about anything, is the Theodore Roosevelt quote, “Comparison is the thief of joy.” Not only does it describe the culture of social media with the accuracy of a five-inch syringe, it also describes the nature of writing with an equal lack of mercy.

I mostly write these for those just getting on their legs, as I’ve been. Anyone who’s authored for awhile will know, too, that to actively compare yourself with the work of others while you’re in the midst of a project is the worst idea you can get. It often can’t be helped if you’re a reader, but you must try to, even if that entails taking a hiatus from books. This kind of comparison is responsible for things like the time one writes and re-writes the same paragraph multiple times, while not getting any more of the book done at all, besides that one piece.

Technical comparisons, on the other hand, can be an excellent tool and a way to better habituate writing every day. What do I mean by that?
Well, breaking up your writing into fragments and measuring them is one example. Quantity over quality, despite what you’ll hear, is best for a first draft. This is not the case with revisions, but if you give yourself plenty of material to work with, you can gradually prune away the garbage and poor metaphors for a tighter, polished draft. Best not to worry about that bridge until you get there, though. For the beginning, just concentrate on the journey and getting it all down on paper. Continue reading “Writing Process – Comparisons”

Smashwords Interview 2019

The updated interview for my Smashwords profile. I answered one last year around January. So many things have changed with my work, so it was high time for a fresh one, now that I have actual books on there.

Q: What motivated you to become an indie author?
A: Ah, this question is something of a paradox. A variable and yet also a constant.
I will say that as of this interview, I’m currently working on the S.M. Shuford Poetry Collection, an ongoing saga that compiles most of my poetry and is to some degree autobiographical, hence the blatant narcissism of the title. There is set to be thirteen to fifteen books in total in that series. After that, in 2020 I’ll have another handful of large-scale poetry compilations, similar to 2018’s Loverboy, a short story collection and slowly eke my way into writing novels on a regular basis.

Q: How do you discover the eBooks you read?
A: It’s a smoothie of recommendations, avid hunting for new things to read, and random chance. Book-seeking is one of the few things that’s better if you’re pretty much careless in how you go about it.

Q: What is your writing process?
A: Vomit a mass of something vaguely interesting. Rinse the excess words off. Polish them. Publish it. Kill the thing you bore and rebuild it Frankenstein-style when you decide it wasn’t good enough the first time. You know, the usual way. Continue reading “Smashwords Interview 2019”

Writing Process – The First Chapter

I will, to the hour of my death, stand by the belief that the hardest part of writing any book, of any genre, is the very first thing you have to write. There’s a volume of quotes about this issue said by authors and public speakers throughout the years, and with reason. I’ve been toying around with a trio of novels in the time when I’m not working on cleaning up and publishing what poetry I’ve finished, and I’ll just level with you.

There is absolutely NO guaranteed way to make the first chapter easy on yourself. It’s going to be doubtful, aggravating and you’ll likely have more drafts of that chapter than any other in the book. Unless, that is, you just have years of experience under your belt already, but even then, a lot of highly-regarded writers still get “brain farts” when it comes to beginning a new project.

Something I’ve tried, and it seems, for some reason I can’t quite configure into an explanation, to make the first chapter flow easier is writing it down by hand. Isn’t that strange? For some reason, it’s easy to type out the rest of the story but the first chapter benefits from a sketchy draft on paper. You can try it if you want, see if it works for you. It’s not much to write, in any case, if it doesn’t work out. Everyone goes about the process in different (and often very eccentric) ways. I have tried and gleaned little else that helps, even having plenty of inspiration and reading about writing and reading books. None of that seems to mollify the beast that is Chapter One, at least not for myself.

Are Young Adult Books More Progressive?

Just some random musings on a positive and surprising trend I’ve noticed recently. There’s been much turmoil in recent years over diversity in literature. It’s misunderstood that the conflict comes from people thinking that every young adult book should be inclusive of every group, ever, and that’s not the case. The argument comes mostly from authors trying to portray a group, but not doing it accurately or with sensitivity to their issues.

Even if that is true in some cases, the fact that there is such a massive variety of diverse books in young adult that you can compare and contrast them easily is uplifting. For example, YA books with LGBT+ protagonists, that are neither pandering nor exploitative, are quite easy to find with a few searches. Novels for adults in the same vein… a wee bit trickier. And there’s not, stylistically speaking, that rigid of a difference between adult and young adult books. One could argue that the slowness to change is because of the more restrictive nature of the publishing industry when it comes to adult fiction. Continue reading “Are Young Adult Books More Progressive?”

Book Formats by Difficulty

This week I’ve had to reacquaint myself with digital book formatting for the upcoming Absolute Heaven and Cosmic Love, which ought to be out in at least their eBook formats by next week. If this helps anybody at all in deciding to publish their own book, these are in my own experience, the difficulty levels of designing each format yourself. Guides to these are available on Amazon, Smashwords, and a handful of other booksellers’ websites.

Easiest – Paperback, Hardback and Print

Print versions are the simplest because all it takes is typing out a good-looking PDF. There are a plethora of templates available to find the exact size you need for your book as well. You know exactly what it will look like without having to guess about much.

Moderate – Kindle

Kindle formatting has a steep learning curve, but once you’ve got it, it becomes very simple. It takes slightly longer than designing a print copy, but half the time of formatting an ePub. Kindle Create is a very useful program that takes most of the stress out of wondering what your book will look and behave like, so I’d recommend downloading that as well. The only tricky parts of Kindle formatting involve images and centering text, which a Kindle reader is somewhat touchy about. Kindle is very flexible and lenient on the author in general, hence why it’s so popular.

Hardest – ePub

Oh my God. Where to begin? Formatting an ePub book is nothing but raw hell. There’s just so many things that can completely ruin your work. If you have this format down pat, you should reward yourself somehow. I don’t even like the ePub format in general, nor do I own an ePub reader, but trying to work arounds its limitations is rigid, user-unfriendly and often a misery. And that’s for a basic book! Nevermind if it’s image-heavy or requires tricky text.
It’s Smashwords that burnt me out on wanting to push my ePub copies. It seems like nothing I tried could make the ePub versions I published with them look decent. Sometimes they came out damaged and smushed to bits, despite following the guidelines. Anyway, screw ePub. Kindle master race forever.

 

7 Hardest Types of Books to Review

I like to read pretty much anything that looks remotely interesting, I don’t care what genre, who wrote it, or the hows and whys of them pulling it out of their brain onto paper. As long as it’s decently-written and valuable in some way, that’s all that matters. That being said, when it comes down to reviewing it, that’s another matter entirely. Some reviews I absolutely hate writing, but still feel compelled to just because I took the time to read it. Comprehensive reviews even written for fun aren’t always easy. These are the categories that I still have difficulty reviewing after three years of practice. Have one of your own? Feel free to leave a comment below!

7. Poetry and Art

I adore reviewing poetry, as you’ll know. I’m actually a little proud of the fact that my most frequented review genre is one that’s considered among the most complicated to review. ARC reviewers often won’t accept poetry because it’s just that hard to articulate. Especially if it’s good or middling. Poetry isn’t visual exactly, but it’s an abstract, psychological feeling than a novel can’t provide in the same way.
Art and graphic novels are also difficult because they are more visual than writing. The review ends up being a lot of descriptive words, and reviewing several at one time makes it clear how same-y it can be. I don’t typically review every volume of a graphic novel or manga series for this reason, when it can be summed up in a few of its entries.

6. Indie Books, Especially Bad Ones

If you ever review indie books, the author will read it eventually. I find this kind of nerve-wracking, even though I value indie books and am lenient on their faults, if they have any. It’s awkward even to have an author “like” your gushing, positive review of their work, and I try to evade being trapped into writing negative ones if at all possible.
I enjoy neither dishonesty nor ripping on someone’s personal work, and those who do enjoy tearing apart indie ARCs ought to re-examine their relationship with books. You have to consider it’s one person doing a team’s job. If the book is genuinely bad and you’re still stuck with reviewing it, it’s better to be critical in a helpful way than critical for laughs. Continue reading “7 Hardest Types of Books to Review”

Some News on Upcoming Books

So, I’ve finally got somewhat of a clear idea on when all those books listed on the bookshelf are going to be published. Only took like six months, right!? It feels like it’s been 2019 for decades…

I’ll be doing an eBook giveaway on my entire body of work when the first three in the S.M. Shuford Poetry Collection are out, so be on the lookout if you want to get the whole lot for free. A rough schedule I’ve got mapped out for the time being. The first four books (not counting Absolute Heaven) will be free in their digital formats indefinitely. #5 might be free too, though #6 will cost a dollar. It was more of a challenge than the others, is the only reason. I don’t feel that’s outrageous.

#0 Absolute Heaven – A version of this is already out on Amazon, but a newer one with slight cosmetic and editing changes will be out around April 15-April 20.
#1 Cosmic Love – The old version, which is just haiku and the initial introduction, will be compiled in Absolute Heaven. It’s also in the archives of this blog, as I’ve noted before. The new version, a more realized book, will come out in ePub, Kindle and print sometime around April 16-May 1, around the same time as AH.
#2-#4 – These will probably be finished about April 21-May 5, but may not come out until later in May because poems in them might be featured in other publications first.
#5-#6 – #6 is more or less finished now, but again, there is a wait time, and #5 has to come out first, so these will be out between June and August.
#7-#12 – No idea. These are basically on concept levels only right now. There might be a #13 if I feel like writing it by then.

In other news, I have a traditionally published book of poems and one of short stories coming out in 2020, as well as two novels. But I’m not going to hype those up until their time. There’s not much point right now.

Musings on Dreams and Classic Monsters

Dracula movie poster Style F.jpg

This is peculiar and specific, but it’s something I’ve noticed with hearing people’s dreams, what they often have nightmares about. I’ve noticed there’s always a certain monster that’s prevalent to that particular person’s nightmares. It’s usually a classic one, like vampires or werewolves, I think because there’s a form of those in most cultures, and a lot of this century’s generations have grown up around horror movies. Even if they never watched them, they saw horror movies everywhere in posters and references, and now online. Vampires seem to be really common. I have had some insane dreams that I recall having some kind of vampire before.

Everyone has their individual classic monster. My personal one is actually zombies. If there’s a threat or presence I recognize in a dream, it’s often zombies or mummy-like humans. No clue why. I don’t recall ever being scared of zombies. Mummies, yes, at least as a kid. But it’s more frequently zombies, and I used to think zombies were like an ideal beauty standard or something.

Okay, maybe not that far, but I did love the way zombies looked. Continue reading “Musings on Dreams and Classic Monsters”