Is It Ever Okay to Ban Books?

You would think the automatic, short answer to this question would be a resounding “NO”, and you would be correct… ninety-nine percent of the time. There is the rare book that should be banned for promoting hatred, but unfortunately, these tend to only be published within private circles. The good thing about that is they’ll probably never reach the mainstream public, but the bad thing is that someone thought it necessary for hate lit to exist in the first place, and also that they sometimes slip into the library of public domain if they’re old enough or the copyright has expired. Who would ever want to own the copyright for a piece of hate lit is beyond me, though.

When you consider most classics were banned somewhere simply for being honest about uncomfortable topics, or “brazen” with their writing styles, it really makes most controversies with books seem pointless. I think that there are cases where toning down content or mild censorship for a specific audience are okay, or even a good idea. But it should always be the decision of the author to do so. Massacring the hard work of another because of your own cowardice is the sin of sins, to me.

What brought the question up is that I’ve seen a recent upswing in banning and ordering censorship edits of books within independent publishing – yes, independent books, you read that right. The avenue created expressly for freedom of content is not allowing certain books on their platforms. And before you ask, yes, it’s mostly erotica and horror being subjected to censorship. What are arguably two of the first genres to ever exist, along with fantasy, have been challenged right and left since conception. Continue reading “Is It Ever Okay to Ban Books?”

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Depression and Recovery

Has this been the worst, most godforsaken, vindictive, worthless year in existence, or what? I thought 2016 was nothing but suffering, but 2016 was baby toys compared to what 2019 has been. It’s just 2016 with the last number turned upside-down, which apparently makes it worse, though some kind of time necromancy.
Apparently I am not the only one, because I’ve seen more posts about recovery, depression, mental breakdowns and sorrow than I can count in the past month, on different blogs. I usually can find something creative to say when an experience is bad, but I have none for this year, and it’s only halfway over.

I’m battling an extremely difficult recovery, so I know it’s only been a few days since I posted, but that’s the primary reason my review series haven’t wrapped up or developed. All the words have been gradually stolen from me by the abyss, even the ones written by other people! It seems like every time I try to read, a boombox cuts on somewhere and I get serenaded to tuneless bass. Such is life, and nobody in mine can stomach silence.
Cleaning up my ghost stories project has also cannibalized a chunk of my free time, but that’s one of the rare things that are actually positive, so I’m not going to blame it. I feel better now, so hopefully I’ll be able to get to them soon. I suppose many good things have come out of this year, but the costs they’ve come at are almost not worth it.

Writing Progress – Project Gluttony

This is by far the most difficult thing I’ve ever had to write. The apt name Project Gluttony is a working title for a horror novel which will be part of a heptalogy loosely correlated to the seven deadly sins. It’s not exactly a series, but I’m treating it like one for the sake of progress. The books are barely related to each other, and might not even have the same publisher.
I feel like Gluttony will not be the most difficult of the seven, but it’s veering damn close, so perhaps it is better I’m getting it over with this year. Project Gluttony and Project Envy are the most pressing because they are the most developed – Envy has been much easier, since it’s basically a full-length adaptation of a short story I’d already written. (It wasn’t so short either, topping out at about forty pages.) Envy is also nearing completion, which means I’m allowed to take a break on it.

Gluttony, however, deals with more tender subjects that I have to be more careful with handling – namely abuse based in religion, and it is for the most part completely freestyle, since only a half-draft of the first two chapters existed, and I’ve since had to rewrite from scratch because they were terrible. I originally began the novel for an open call for pieces of horror fiction, which I’ve since forgotten the initial point of and is possibly long over. Continue reading “Writing Progress – Project Gluttony”

Writing Progress – Seven Sins Heptalogy

My book blogging unrelated to my own work is going on a soft hiatus throughout the summer. Reviews won’t halt, just slow to a crawl because this project will and is starting to eat up my already scarce reading time. Due to recent unforeseen upheavals in my life and this heptalogy, I won’t have as much opportunity to curtail the reviews, and would rather not update than risk posting something that was notably low-quality. Not a huge deal, this is just so you won’t be surprised when there’s more list reviews and re-reviews than previously unexplored books.

Anyway, what the seven sins heptalogy is, is not exactly a “series”. It is seven books that are tenuously related at best – I think some might be set in the same universe but with little-to-no overlap in settings and characters – but are labelled by their general theme. Project Envy, Project Gluttony, etcetera.

I have a lot of difficulty focusing on specific projects to finish, so decided to pull ten major ones that I cared about most from my list and complete them all before I allow myself to start anything new. I figure that if I can finish these works of fiction, I will be able to consider myself a true success as a writer, even if they don’t come out immediately after they’re done. Future works will flow out with far less distress. Continue reading “Writing Progress – Seven Sins Heptalogy”

The Book Genres I Don’t Like

At the risk of coming across as one with that title, I am not exactly a literature snob. I don’t care what it is, who wrote it, whether it came out as a mainstream title, indie, or had to be etched on a tome of warlock flesh. I do not care as long as it’s decently written and has visible effort put into it, even if marginal amounts. Transgressive or clean, unorthodox or classic, I like certain things about most types of books.

That being said, there are genres I won’t read and don’t like. There are a handful of exceptions in these genres that I’ve picked up, and I don’t think that they are “worthless” genres. Somebody loves them, or they wouldn’t be written and continuing to sell copies. I just have not acquired the taste for them. There are my opinions, I don’t fault anyone for finding something they love in these genres that I don’t see in them. To each his own.

Splatterpunk
This one pains me on a heartstring level. I adore horror. All of its subgenres, too… except splatterpunk. Splatterpunk is the black sheep (or bloodstained sheep?) of horror to me, I cannot force myself to like it no matter what. If anyone can point me to a quality splatterpunk book, please do! I want to like this subgenre so badly.

I’ve concluded that what I don’t enjoy about it is not the relentless violence, although that is admittedly pretty boring after so much exposure, but the ones I’ve stumbled upon have not been well-written. They read like edgy high-school essays sprinkled copiously with the thesaurus choices for “viscera” and “blood”. One exception is Clive Barker’s Books of Blood, which are decidedly more dark fantasy but have a distinct splatterpunk element and are a good read. In fact, Barker is cited as one of the fathers of the splatterpunk movement, but I suspect this is more for his Hellraiser works. (I liked the first movie, never read the novels.) I think splatterpunk can work when moderated with something else. Like, just describing gore is not going to evoke fear automatically, even in the very sensitive.

Body horror I find unsettling because it creates an “uncanny” effect – it seems human or animal, but it’s neither and your eyes and mind register that. Gore on the other hand is not fundamentally scary, not even in real life. In real life, it’s only scary because you want to get the person whose guts are hanging out to a freaking hospital. What could make that situation horror is if the hospital was an American one and turned them away, intestines in hand, because they didn’t bring their wallet.

Contemporary Romance and Harlequins
I know, I know. True lit snobs always bear an avid hatred for the romance genre. I don’t dislike romance, though. As is the case with splatterpunk, I feel like diluting the genre with some other genre or factor makes it better. As a pure chemical, it ain’t digestible. Like sodium and chloride. Individually, they are dangerous, together they are delicious table salt. Continue reading “The Book Genres I Don’t Like”

Writing Process – When to Describe Characters in Detail

From personal experience and discussing this with other readers, it used to kind of bemuse me how much people hate detailed physical descriptions of characters. I’ve not been able to pinpoint why, but upon taking this into consideration, I’ve noticed many (but not all) of the best novels I’ve read don’t rely heavily on what a character looks like. It’s usually kept to simple descriptions or notable features, say for instance if they have piercing blue eyes or are unusually thin, but their every freckle and hair won’t be described in detail. It’s just enough to fuel an image for the reader, who will make what they will of what the author’s given them. Not all readers, but many readers, will feel a bit stripped of the chance to stretch their imagination if you describe literally everything about a characters and leave nothing to be visualized on their own. Continue reading “Writing Process – When to Describe Characters in Detail”

Writing Progress – May 21st

This is mainly for my own benefit, but if it interests you, feel free to follow along with these posts. Fair warning that they will be more stream-of-consciousness than my other types of posts, seeing as they are to primarily serve as measurements and raw notes. Since I have essentially nothing else to until I go back to college (and then probably quite little to do that’s of any account) I’ve decided to cram some novel-writing into this year. Including the short stories book I was already working on, I’ve decided that four would be the least stress. The three novel-length works are one psychological horror, one young adult, and one I will just call dark fantasy because I don’t know what it is yet.

Writing Progress by May 21st, 2019
Haunt Me to Sleep (short stories) – No work this week, but is around 1/3 complete
Untitled Novella (psychological horror) – At 13,000 words
Untitled Novella (young adult) – Rough outline, no official words yet
Untitled Novella (dark fantasy) – Rough outline, no official words yet
Other Things – Infinite Summer and MHz on the verge of completion at around 50 pages apiece. These only lack finished cover art.

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Writing Process – Comparisons

One of my much-abused quotes, because of how appropriate it is for about anything, is the Theodore Roosevelt quote, “Comparison is the thief of joy.” Not only does it describe the culture of social media with the accuracy of a five-inch syringe, it also describes the nature of writing with an equal lack of mercy.

I mostly write these for those just getting on their legs, as I’ve been. Anyone who’s authored for awhile will know, too, that to actively compare yourself with the work of others while you’re in the midst of a project is the worst idea you can get. It often can’t be helped if you’re a reader, but you must try to, even if that entails taking a hiatus from books. This kind of comparison is responsible for things like the time one writes and re-writes the same paragraph multiple times, while not getting any more of the book done at all, besides that one piece.

Technical comparisons, on the other hand, can be an excellent tool and a way to better habituate writing every day. What do I mean by that?
Well, breaking up your writing into fragments and measuring them is one example. Quantity over quality, despite what you’ll hear, is best for a first draft. This is not the case with revisions, but if you give yourself plenty of material to work with, you can gradually prune away the garbage and poor metaphors for a tighter, polished draft. Best not to worry about that bridge until you get there, though. For the beginning, just concentrate on the journey and getting it all down on paper. Continue reading “Writing Process – Comparisons”

Smashwords Interview 2019

The updated interview for my Smashwords profile. I answered one last year around January. So many things have changed with my work, so it was high time for a fresh one, now that I have actual books on there.

Q: What motivated you to become an indie author?
A: Ah, this question is something of a paradox. A variable and yet also a constant.
I will say that as of this interview, I’m currently working on the S.M. Shuford Poetry Collection, an ongoing saga that compiles most of my poetry and is to some degree autobiographical, hence the blatant narcissism of the title. There is set to be thirteen to fifteen books in total in that series. After that, in 2020 I’ll have another handful of large-scale poetry compilations, similar to 2018’s Loverboy, a short story collection and slowly eke my way into writing novels on a regular basis.

Q: How do you discover the eBooks you read?
A: It’s a smoothie of recommendations, avid hunting for new things to read, and random chance. Book-seeking is one of the few things that’s better if you’re pretty much careless in how you go about it.

Q: What is your writing process?
A: Vomit a mass of something vaguely interesting. Rinse the excess words off. Polish them. Publish it. Kill the thing you bore and rebuild it Frankenstein-style when you decide it wasn’t good enough the first time. You know, the usual way. Continue reading “Smashwords Interview 2019”

Writing Process – The First Chapter

I will, to the hour of my death, stand by the belief that the hardest part of writing any book, of any genre, is the very first thing you have to write. There’s a volume of quotes about this issue said by authors and public speakers throughout the years, and with reason. I’ve been toying around with a trio of novels in the time when I’m not working on cleaning up and publishing what poetry I’ve finished, and I’ll just level with you.

There is absolutely NO guaranteed way to make the first chapter easy on yourself. It’s going to be doubtful, aggravating and you’ll likely have more drafts of that chapter than any other in the book. Unless, that is, you just have years of experience under your belt already, but even then, a lot of highly-regarded writers still get “brain farts” when it comes to beginning a new project.

Something I’ve tried, and it seems, for some reason I can’t quite configure into an explanation, to make the first chapter flow easier is writing it down by hand. Isn’t that strange? For some reason, it’s easy to type out the rest of the story but the first chapter benefits from a sketchy draft on paper. You can try it if you want, see if it works for you. It’s not much to write, in any case, if it doesn’t work out. Everyone goes about the process in different (and often very eccentric) ways. I have tried and gleaned little else that helps, even having plenty of inspiration and reading about writing and reading books. None of that seems to mollify the beast that is Chapter One, at least not for myself.

Are Young Adult Books More Progressive?

Just some random musings on a positive and surprising trend I’ve noticed recently. There’s been much turmoil in recent years over diversity in literature. It’s misunderstood that the conflict comes from people thinking that every young adult book should be inclusive of every group, ever, and that’s not the case. The argument comes mostly from authors trying to portray a group, but not doing it accurately or with sensitivity to their issues.

Even if that is true in some cases, the fact that there is such a massive variety of diverse books in young adult that you can compare and contrast them easily is uplifting. For example, YA books with LGBT+ protagonists, that are neither pandering nor exploitative, are quite easy to find with a few searches. Novels for adults in the same vein… a wee bit trickier. And there’s not, stylistically speaking, that rigid of a difference between adult and young adult books. One could argue that the slowness to change is because of the more restrictive nature of the publishing industry when it comes to adult fiction. Continue reading “Are Young Adult Books More Progressive?”

Book Formats by Difficulty

This week I’ve had to reacquaint myself with digital book formatting for the upcoming Absolute Heaven and Cosmic Love, which ought to be out in at least their eBook formats by next week. If this helps anybody at all in deciding to publish their own book, these are in my own experience, the difficulty levels of designing each format yourself. Guides to these are available on Amazon, Smashwords, and a handful of other booksellers’ websites.

Easiest – Paperback, Hardback and Print

Print versions are the simplest because all it takes is typing out a good-looking PDF. There are a plethora of templates available to find the exact size you need for your book as well. You know exactly what it will look like without having to guess about much.

Moderate – Kindle

Kindle formatting has a steep learning curve, but once you’ve got it, it becomes very simple. It takes slightly longer than designing a print copy, but half the time of formatting an ePub. Kindle Create is a very useful program that takes most of the stress out of wondering what your book will look and behave like, so I’d recommend downloading that as well. The only tricky parts of Kindle formatting involve images and centering text, which a Kindle reader is somewhat touchy about. Kindle is very flexible and lenient on the author in general, hence why it’s so popular.

Hardest – ePub

Oh my God. Where to begin? Formatting an ePub book is nothing but raw hell. There’s just so many things that can completely ruin your work. If you have this format down pat, you should reward yourself somehow. I don’t even like the ePub format in general, nor do I own an ePub reader, but trying to work arounds its limitations is rigid, user-unfriendly and often a misery. And that’s for a basic book! Nevermind if it’s image-heavy or requires tricky text.
It’s Smashwords that burnt me out on wanting to push my ePub copies. It seems like nothing I tried could make the ePub versions I published with them look decent. Sometimes they came out damaged and smushed to bits, despite following the guidelines. Anyway, screw ePub. Kindle master race forever.

 

7 Hardest Types of Books to Review

I like to read pretty much anything that looks remotely interesting, I don’t care what genre, who wrote it, or the hows and whys of them pulling it out of their brain onto paper. As long as it’s decently-written and valuable in some way, that’s all that matters. That being said, when it comes down to reviewing it, that’s another matter entirely. Some reviews I absolutely hate writing, but still feel compelled to just because I took the time to read it. Comprehensive reviews even written for fun aren’t always easy. These are the categories that I still have difficulty reviewing after three years of practice. Have one of your own? Feel free to leave a comment below!

7. Poetry and Art

I adore reviewing poetry, as you’ll know. I’m actually a little proud of the fact that my most frequented review genre is one that’s considered among the most complicated to review. ARC reviewers often won’t accept poetry because it’s just that hard to articulate. Especially if it’s good or middling. Poetry isn’t visual exactly, but it’s an abstract, psychological feeling than a novel can’t provide in the same way.
Art and graphic novels are also difficult because they are more visual than writing. The review ends up being a lot of descriptive words, and reviewing several at one time makes it clear how same-y it can be. I don’t typically review every volume of a graphic novel or manga series for this reason, when it can be summed up in a few of its entries.

6. Indie Books, Especially Bad Ones

If you ever review indie books, the author will read it eventually. I find this kind of nerve-wracking, even though I value indie books and am lenient on their faults, if they have any. It’s awkward even to have an author “like” your gushing, positive review of their work, and I try to evade being trapped into writing negative ones if at all possible.
I enjoy neither dishonesty nor ripping on someone’s personal work, and those who do enjoy tearing apart indie ARCs ought to re-examine their relationship with books. You have to consider it’s one person doing a team’s job. If the book is genuinely bad and you’re still stuck with reviewing it, it’s better to be critical in a helpful way than critical for laughs. Continue reading “7 Hardest Types of Books to Review”

Some News on Upcoming Books

So, I’ve finally got somewhat of a clear idea on when all those books listed on the bookshelf are going to be published. Only took like six months, right!? It feels like it’s been 2019 for decades…

I’ll be doing an eBook giveaway on my entire body of work when the first three in the S.M. Shuford Poetry Collection are out, so be on the lookout if you want to get the whole lot for free. A rough schedule I’ve got mapped out for the time being. The first four books (not counting Absolute Heaven) will be free in their digital formats indefinitely. #5 might be free too, though #6 will cost a dollar. It was more of a challenge than the others, is the only reason. I don’t feel that’s outrageous.

#0 Absolute Heaven – A version of this is already out on Amazon, but a newer one with slight cosmetic and editing changes will be out around April 15-April 20.
#1 Cosmic Love – The old version, which is just haiku and the initial introduction, will be compiled in Absolute Heaven. It’s also in the archives of this blog, as I’ve noted before. The new version, a more realized book, will come out in ePub, Kindle and print sometime around April 16-May 1, around the same time as AH.
#2-#4 – These will probably be finished about April 21-May 5, but may not come out until later in May because poems in them might be featured in other publications first.
#5-#6 – #6 is more or less finished now, but again, there is a wait time, and #5 has to come out first, so these will be out between June and August.
#7-#12 – No idea. These are basically on concept levels only right now. There might be a #13 if I feel like writing it by then.

In other news, I have a traditionally published book of poems and one of short stories coming out in 2020, as well as two novels. But I’m not going to hype those up until their time. There’s not much point right now.

Musings on Dreams and Classic Monsters

Dracula movie poster Style F.jpg

This is peculiar and specific, but it’s something I’ve noticed with hearing people’s dreams, what they often have nightmares about. I’ve noticed there’s always a certain monster that’s prevalent to that particular person’s nightmares. It’s usually a classic one, like vampires or werewolves, I think because there’s a form of those in most cultures, and a lot of this century’s generations have grown up around horror movies. Even if they never watched them, they saw horror movies everywhere in posters and references, and now online. Vampires seem to be really common. I have had some insane dreams that I recall having some kind of vampire before.

Everyone has their individual classic monster. My personal one is actually zombies. If there’s a threat or presence I recognize in a dream, it’s often zombies or mummy-like humans. No clue why. I don’t recall ever being scared of zombies. Mummies, yes, at least as a kid. But it’s more frequently zombies, and I used to think zombies were like an ideal beauty standard or something.

Okay, maybe not that far, but I did love the way zombies looked. Continue reading “Musings on Dreams and Classic Monsters”

“The Dominant” Featured in Infernal Ink

A poem of mine, “The Dominant”, was featured in the Spring-Summer 2019 edition of indie magazine Infernal Ink, if you’d like to check it out. Not a collection for the youngsters, obviously, not with that tagline. Some pretty sultry and gruesome themes. This poem will probably also appear in another compilation of mine that I’ve got planned for this summer.
To be honest, I don’t remember when, why or where I wrote “The Dominant”. I think it was circa 2014 or so, maybe later. It’s one of my numerous, numerous writings about the disturbing sensuality of food and hedonism. This is the Kindle edition, there are also paperbacks available on Lulu if that’s more your style.

Infernal Ink Spring-Summer 2019

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Thoughts on What Holds Us Back

Completionism, procrastination and lack of confidence, I can tell you right now are the unholy triad of offenders that keep us from achieving more. The last one is not as much of a worry for me as the first two, but a lack of confidence in a particular project can damper it to the point where it stays in hiatus hell for a long time. Until a couple of months ago, that’s where most of my writing was.

I don’t have any clear-cut, good advice that works for every individual when it comes to completionism and procrastination, as they are much, much trickier to overcome. The former is responsible for the hiatus on posting my artwork, because I’ve been set in this mindset that I realize is absolutely the stupidest, that I need to finish every piece I’ve begun before I can post any of it because it should all be posted together.
Yes, it is ridiculous, but when you are a perfectionist these little things will drive you mad while nobody else notices! It’s the key reason I wanted to redo those chapbooks so badly, because I can’t stand to have anything that seems unfinished or flawed. Even though they weren’t – to me they could have more and better content, so that’s what they’re getting.

Procrastination is a matter of breaking habits, namely avoidance and laziness. Procrastination is kind of like a very persistent and needy phantom that clings to you whenever you have the time and need to work. Like I said, I have no advice for this, it’s just something you’re going to have to decide to stop when you’ve had enough of it. No motivation in the world is going to work if you don’t really want to change. Some personal ambition grown from your own heart is necessary.
What I find squashes the want to procrastinate quicker than anything is thinking of what you won’t have in the years to come if you don’t do it while you can. You may miss your opportunity to write anything if you don’t seize them while they’re there. I have finished more in this month than the entirety of last fall and winter by keeping this in mind, so if it helps. It’s probably not too healthy to panic under time, but considering how little there is in our lives does make one want to live for more, I believe.

Phantom Mechanism – Rebooting MHz

I don’t think I’ve ever even talked much about the original MHz that came out last May. I made it and still never knew what to think of it, was the problem. It also had a strange, rather off-putting cover which I suspect is why it didn’t get the views the others did. That, and MHz is also the only one of the chapbooks whose haiku I never posted episodically on this blog.
I guess it doesn’t matter because the series was initially an experiment in the first place, and just now are being revived as actual, tangible books, and no one in particular has nitpicked it except for me… but something about this one always made me feel peculiar. Bashful about it, even, from square one. I never wanted to promote it. MHz has the most interesting potential and yet I feel will always be damned, because how do you recommend a surreal mashup of sci-fi and Japanese horror inspirations, but in a poetry format?

MHz will definitely be the most entertaining and reigns-free to reboot. There are less rules or direction necessary (not that there was a plethora with the other three, exactly). And yet, I think it will always be the least popular. I might be wrong, but we’ll see in May or April.

The new MHz, and to a lesser extension the old MHz and the touched-up segments that showed up in Absolute Heaven (which I still need to prepare a print book for, as grueling as it will be), are loosely based around the imagery found in the filmography of Shinya Tsukamoto. If you have zero idea who that is, you absolutely need to look it up right now.
The colour-cast look to Tsukamoto’s films is entirely dreamlike – to the point of them feeling like re-watching some of your weirdest dreams that you recall pieces of at random times. I love that aesthetic dearly, and several of those movies. They’re not really story-heavy, relying more on personal interpretation and just good old-fashioned entertainment for your visual cortex. Tsukamoto, in general, is sort of the “anti” pretentious art film. His movies are artsy, but like a painting, not a philosophy thesis that the director is intent on shoving down your throat.

Am I getting off-topic? Okay, well, MHz is set to be the last redone chapbook at this point. I’ve entertained doing a fifth one just because they’re fun and relatively easy to write and I think people will like reading them, but I’m afraid attempting storytelling is taking a precedent over my poetry right now, and probably still will be when these come out. I have the date April 21st in mind for the first two (Infinite Summer and Blood Ballet), and the second half should come right behind. I know I keep talking about them but they will actually be in print soon. Promise.

Loss and Returning to Blogging

There’s been a very brief span of dead air over the past two weeks. I realize I didn’t get around to some things I had promised, but I have recently had to trudge through a painful tragedy. These days have been one drawn-out night that will not pass into morning for me. It’s not really something that would be cathartic to discuss or that I’m prepared to discuss publicly – it was an absolutely horrible loss of somebody that I’ve known all of my life. To cope, and this may be the only remote positive that could’ve come out of it, I will be writing a lot more. More than my usual obsession with it compels me to. So, starting this Monday, I’ll likely be posting daily for a long while. I have some articles on writing tropes, a couple of poems, and some mixed-genre reviews in no particular fashion or order.

Unfortunately, given the circumstances, I’ve found a wealth of time for reading. But at a cost that was certainly not worth that. I do look forward to the next month or two at least, and I ought to know soon when I’ll have some more books out, so that will be something pleasant, at least. A series of reviews on the H. P. Lovecraft catalogue is coming up on the horizon throughout the rest of spring, which should be… a colourful ride. A colour out of space, you might even name it.

I should just tell you now that I hate early spring, and thought it fitting to focus on an author whose primary settings are flooded, moldy semi-sentient swamplands, which is the image I automatically get in my head when I think of the first half of spring. Others may see in pink and blue, but I see in grey and green, and not pretty shades of them either.

Woodland Dreams – Rebooting Infinite Summer

The Infinite Summer reboot is actually on the verge of being finished. All it lacks is a final edit and a cover, so it ought to be out first, I suspect around March. Infinite Summer was my favourite one, and that remains true. This is the “lightest” one thematically, having a ghostly, romantic fairytale vibe. Probably should’ve spent the time I spent on the original on useful literature, but hey, it was pretty fun.

At the risk of deflating my own update post, I honestly don’t have as much to say about it as I imagined I would. I have fewer aspirations with its makeover than the others, I guess. The old versions of the haiku are still posted starting here. I don’t think I’ll remove these, even though they’ve gone through variable changes. There’s not really a reason to. It could be quite fascinating to see the improvements, or disagree with them if you thought the old were better.

If you’ve ever thought about trying your hand at fantasy poetry, you ought to. Don’t be shy about displaying it, either, there needs to be more genre poetry in the world. Fantasy is general is a sort of imagination exercise, but fantasy with the loose non-limits of lyricism is even more so. Not too many publish their fantasy poetry, it seems. Continue reading “Woodland Dreams – Rebooting Infinite Summer”