Depression and Recovery

Has this been the worst, most godforsaken, vindictive, worthless year in existence, or what? I thought 2016 was nothing but suffering, but 2016 was baby toys compared to what 2019 has been. It’s just 2016 with the last number turned upside-down, which apparently makes it worse, though some kind of time necromancy.
Apparently I am not the only one, because I’ve seen more posts about recovery, depression, mental breakdowns and sorrow than I can count in the past month, on different blogs. I usually can find something creative to say when an experience is bad, but I have none for this year, and it’s only halfway over.

I’m battling an extremely difficult recovery, so I know it’s only been a few days since I posted, but that’s the primary reason my review series haven’t wrapped up or developed. All the words have been gradually stolen from me by the abyss, even the ones written by other people! It seems like every time I try to read, a boombox cuts on somewhere and I get serenaded to tuneless bass. Such is life, and nobody in mine can stomach silence.
Cleaning up my ghost stories project has also cannibalized a chunk of my free time, but that’s one of the rare things that are actually positive, so I’m not going to blame it. I feel better now, so hopefully I’ll be able to get to them soon. I suppose many good things have come out of this year, but the costs they’ve come at are almost not worth it.

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Writing Progress – Project Gluttony

This is by far the most difficult thing I’ve ever had to write. The apt name Project Gluttony is a working title for a horror novel which will be part of a heptalogy loosely correlated to the seven deadly sins. It’s not exactly a series, but I’m treating it like one for the sake of progress. The books are barely related to each other, and might not even have the same publisher.
I feel like Gluttony will not be the most difficult of the seven, but it’s veering damn close, so perhaps it is better I’m getting it over with this year. Project Gluttony and Project Envy are the most pressing because they are the most developed – Envy has been much easier, since it’s basically a full-length adaptation of a short story I’d already written. (It wasn’t so short either, topping out at about forty pages.) Envy is also nearing completion, which means I’m allowed to take a break on it.

Gluttony, however, deals with more tender subjects that I have to be more careful with handling – namely abuse based in religion, and it is for the most part completely freestyle, since only a half-draft of the first two chapters existed, and I’ve since had to rewrite from scratch because they were terrible. I originally began the novel for an open call for pieces of horror fiction, which I’ve since forgotten the initial point of and is possibly long over. Continue reading “Writing Progress – Project Gluttony”

Writing Progress – Seven Sins Heptalogy

My book blogging unrelated to my own work is going on a soft hiatus throughout the summer. Reviews won’t halt, just slow to a crawl because this project will and is starting to eat up my already scarce reading time. Due to recent unforeseen upheavals in my life and this heptalogy, I won’t have as much opportunity to curtail the reviews, and would rather not update than risk posting something that was notably low-quality. Not a huge deal, this is just so you won’t be surprised when there’s more list reviews and re-reviews than previously unexplored books.

Anyway, what the seven sins heptalogy is, is not exactly a “series”. It is seven books that are tenuously related at best – I think some might be set in the same universe but with little-to-no overlap in settings and characters – but are labelled by their general theme. Project Envy, Project Gluttony, etcetera.

I have a lot of difficulty focusing on specific projects to finish, so decided to pull ten major ones that I cared about most from my list and complete them all before I allow myself to start anything new. I figure that if I can finish these works of fiction, I will be able to consider myself a true success as a writer, even if they don’t come out immediately after they’re done. Future works will flow out with far less distress. Continue reading “Writing Progress – Seven Sins Heptalogy”

Writing Process – When to Describe Characters in Detail

From personal experience and discussing this with other readers, it used to kind of bemuse me how much people hate detailed physical descriptions of characters. I’ve not been able to pinpoint why, but upon taking this into consideration, I’ve noticed many (but not all) of the best novels I’ve read don’t rely heavily on what a character looks like. It’s usually kept to simple descriptions or notable features, say for instance if they have piercing blue eyes or are unusually thin, but their every freckle and hair won’t be described in detail. It’s just enough to fuel an image for the reader, who will make what they will of what the author’s given them. Not all readers, but many readers, will feel a bit stripped of the chance to stretch their imagination if you describe literally everything about a characters and leave nothing to be visualized on their own. Continue reading “Writing Process – When to Describe Characters in Detail”

Writing Progress – May 21st

This is mainly for my own benefit, but if it interests you, feel free to follow along with these posts. Fair warning that they will be more stream-of-consciousness than my other types of posts, seeing as they are to primarily serve as measurements and raw notes. Since I have essentially nothing else to until I go back to college (and then probably quite little to do that’s of any account) I’ve decided to cram some novel-writing into this year. Including the short stories book I was already working on, I’ve decided that four would be the least stress. The three novel-length works are one psychological horror, one young adult, and one I will just call dark fantasy because I don’t know what it is yet.

Writing Progress by May 21st, 2019
Haunt Me to Sleep (short stories) – No work this week, but is around 1/3 complete
Untitled Novella (psychological horror) – At 13,000 words
Untitled Novella (young adult) – Rough outline, no official words yet
Untitled Novella (dark fantasy) – Rough outline, no official words yet
Other Things – Infinite Summer and MHz on the verge of completion at around 50 pages apiece. These only lack finished cover art.

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Writing Process – Comparisons

One of my much-abused quotes, because of how appropriate it is for about anything, is the Theodore Roosevelt quote, “Comparison is the thief of joy.” Not only does it describe the culture of social media with the accuracy of a five-inch syringe, it also describes the nature of writing with an equal lack of mercy.

I mostly write these for those just getting on their legs, as I’ve been. Anyone who’s authored for awhile will know, too, that to actively compare yourself with the work of others while you’re in the midst of a project is the worst idea you can get. It often can’t be helped if you’re a reader, but you must try to, even if that entails taking a hiatus from books. This kind of comparison is responsible for things like the time one writes and re-writes the same paragraph multiple times, while not getting any more of the book done at all, besides that one piece.

Technical comparisons, on the other hand, can be an excellent tool and a way to better habituate writing every day. What do I mean by that?
Well, breaking up your writing into fragments and measuring them is one example. Quantity over quality, despite what you’ll hear, is best for a first draft. This is not the case with revisions, but if you give yourself plenty of material to work with, you can gradually prune away the garbage and poor metaphors for a tighter, polished draft. Best not to worry about that bridge until you get there, though. For the beginning, just concentrate on the journey and getting it all down on paper. Continue reading “Writing Process – Comparisons”

Smashwords Interview 2019

The updated interview for my Smashwords profile. I answered one last year around January. So many things have changed with my work, so it was high time for a fresh one, now that I have actual books on there.

Q: What motivated you to become an indie author?
A: Ah, this question is something of a paradox. A variable and yet also a constant.
I will say that as of this interview, I’m currently working on the S.M. Shuford Poetry Collection, an ongoing saga that compiles most of my poetry and is to some degree autobiographical, hence the blatant narcissism of the title. There is set to be thirteen to fifteen books in total in that series. After that, in 2020 I’ll have another handful of large-scale poetry compilations, similar to 2018’s Loverboy, a short story collection and slowly eke my way into writing novels on a regular basis.

Q: How do you discover the eBooks you read?
A: It’s a smoothie of recommendations, avid hunting for new things to read, and random chance. Book-seeking is one of the few things that’s better if you’re pretty much careless in how you go about it.

Q: What is your writing process?
A: Vomit a mass of something vaguely interesting. Rinse the excess words off. Polish them. Publish it. Kill the thing you bore and rebuild it Frankenstein-style when you decide it wasn’t good enough the first time. You know, the usual way. Continue reading “Smashwords Interview 2019”

Writing Process – The First Chapter

I will, to the hour of my death, stand by the belief that the hardest part of writing any book, of any genre, is the very first thing you have to write. There’s a volume of quotes about this issue said by authors and public speakers throughout the years, and with reason. I’ve been toying around with a trio of novels in the time when I’m not working on cleaning up and publishing what poetry I’ve finished, and I’ll just level with you.

There is absolutely NO guaranteed way to make the first chapter easy on yourself. It’s going to be doubtful, aggravating and you’ll likely have more drafts of that chapter than any other in the book. Unless, that is, you just have years of experience under your belt already, but even then, a lot of highly-regarded writers still get “brain farts” when it comes to beginning a new project.

Something I’ve tried, and it seems, for some reason I can’t quite configure into an explanation, to make the first chapter flow easier is writing it down by hand. Isn’t that strange? For some reason, it’s easy to type out the rest of the story but the first chapter benefits from a sketchy draft on paper. You can try it if you want, see if it works for you. It’s not much to write, in any case, if it doesn’t work out. Everyone goes about the process in different (and often very eccentric) ways. I have tried and gleaned little else that helps, even having plenty of inspiration and reading about writing and reading books. None of that seems to mollify the beast that is Chapter One, at least not for myself.

Are Young Adult Books More Progressive?

Just some random musings on a positive and surprising trend I’ve noticed recently. There’s been much turmoil in recent years over diversity in literature. It’s misunderstood that the conflict comes from people thinking that every young adult book should be inclusive of every group, ever, and that’s not the case. The argument comes mostly from authors trying to portray a group, but not doing it accurately or with sensitivity to their issues.

Even if that is true in some cases, the fact that there is such a massive variety of diverse books in young adult that you can compare and contrast them easily is uplifting. For example, YA books with LGBT+ protagonists, that are neither pandering nor exploitative, are quite easy to find with a few searches. Novels for adults in the same vein… a wee bit trickier. And there’s not, stylistically speaking, that rigid of a difference between adult and young adult books. One could argue that the slowness to change is because of the more restrictive nature of the publishing industry when it comes to adult fiction. Continue reading “Are Young Adult Books More Progressive?”

Book Formats by Difficulty

This week I’ve had to reacquaint myself with digital book formatting for the upcoming Absolute Heaven and Cosmic Love, which ought to be out in at least their eBook formats by next week. If this helps anybody at all in deciding to publish their own book, these are in my own experience, the difficulty levels of designing each format yourself. Guides to these are available on Amazon, Smashwords, and a handful of other booksellers’ websites.

Easiest – Paperback, Hardback and Print

Print versions are the simplest because all it takes is typing out a good-looking PDF. There are a plethora of templates available to find the exact size you need for your book as well. You know exactly what it will look like without having to guess about much.

Moderate – Kindle

Kindle formatting has a steep learning curve, but once you’ve got it, it becomes very simple. It takes slightly longer than designing a print copy, but half the time of formatting an ePub. Kindle Create is a very useful program that takes most of the stress out of wondering what your book will look and behave like, so I’d recommend downloading that as well. The only tricky parts of Kindle formatting involve images and centering text, which a Kindle reader is somewhat touchy about. Kindle is very flexible and lenient on the author in general, hence why it’s so popular.

Hardest – ePub

Oh my God. Where to begin? Formatting an ePub book is nothing but raw hell. There’s just so many things that can completely ruin your work. If you have this format down pat, you should reward yourself somehow. I don’t even like the ePub format in general, nor do I own an ePub reader, but trying to work arounds its limitations is rigid, user-unfriendly and often a misery. And that’s for a basic book! Nevermind if it’s image-heavy or requires tricky text.
It’s Smashwords that burnt me out on wanting to push my ePub copies. It seems like nothing I tried could make the ePub versions I published with them look decent. Sometimes they came out damaged and smushed to bits, despite following the guidelines. Anyway, screw ePub. Kindle master race forever.

 

7 Hardest Types of Books to Review

I like to read pretty much anything that looks remotely interesting, I don’t care what genre, who wrote it, or the hows and whys of them pulling it out of their brain onto paper. As long as it’s decently-written and valuable in some way, that’s all that matters. That being said, when it comes down to reviewing it, that’s another matter entirely. Some reviews I absolutely hate writing, but still feel compelled to just because I took the time to read it. Comprehensive reviews even written for fun aren’t always easy. These are the categories that I still have difficulty reviewing after three years of practice. Have one of your own? Feel free to leave a comment below!

7. Poetry and Art

I adore reviewing poetry, as you’ll know. I’m actually a little proud of the fact that my most frequented review genre is one that’s considered among the most complicated to review. ARC reviewers often won’t accept poetry because it’s just that hard to articulate. Especially if it’s good or middling. Poetry isn’t visual exactly, but it’s an abstract, psychological feeling than a novel can’t provide in the same way.
Art and graphic novels are also difficult because they are more visual than writing. The review ends up being a lot of descriptive words, and reviewing several at one time makes it clear how same-y it can be. I don’t typically review every volume of a graphic novel or manga series for this reason, when it can be summed up in a few of its entries.

6. Indie Books, Especially Bad Ones

If you ever review indie books, the author will read it eventually. I find this kind of nerve-wracking, even though I value indie books and am lenient on their faults, if they have any. It’s awkward even to have an author “like” your gushing, positive review of their work, and I try to evade being trapped into writing negative ones if at all possible.
I enjoy neither dishonesty nor ripping on someone’s personal work, and those who do enjoy tearing apart indie ARCs ought to re-examine their relationship with books. You have to consider it’s one person doing a team’s job. If the book is genuinely bad and you’re still stuck with reviewing it, it’s better to be critical in a helpful way than critical for laughs. Continue reading “7 Hardest Types of Books to Review”

Musings on Dreams and Classic Monsters

Dracula movie poster Style F.jpg

This is peculiar and specific, but it’s something I’ve noticed with hearing people’s dreams, what they often have nightmares about. I’ve noticed there’s always a certain monster that’s prevalent to that particular person’s nightmares. It’s usually a classic one, like vampires or werewolves, I think because there’s a form of those in most cultures, and a lot of this century’s generations have grown up around horror movies. Even if they never watched them, they saw horror movies everywhere in posters and references, and now online. Vampires seem to be really common. I have had some insane dreams that I recall having some kind of vampire before.

Everyone has their individual classic monster. My personal one is actually zombies. If there’s a threat or presence I recognize in a dream, it’s often zombies or mummy-like humans. No clue why. I don’t recall ever being scared of zombies. Mummies, yes, at least as a kid. But it’s more frequently zombies, and I used to think zombies were like an ideal beauty standard or something.

Okay, maybe not that far, but I did love the way zombies looked. Continue reading “Musings on Dreams and Classic Monsters”

“The Dominant” Featured in Infernal Ink

A poem of mine, “The Dominant”, was featured in the Spring-Summer 2019 edition of indie magazine Infernal Ink, if you’d like to check it out. Not a collection for the youngsters, obviously, not with that tagline. Some pretty sultry and gruesome themes. This poem will probably also appear in another compilation of mine that I’ve got planned for this summer.
To be honest, I don’t remember when, why or where I wrote “The Dominant”. I think it was circa 2014 or so, maybe later. It’s one of my numerous, numerous writings about the disturbing sensuality of food and hedonism. This is the Kindle edition, there are also paperbacks available on Lulu if that’s more your style.

Infernal Ink Spring-Summer 2019

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Thoughts on What Holds Us Back

Completionism, procrastination and lack of confidence, I can tell you right now are the unholy triad of offenders that keep us from achieving more. The last one is not as much of a worry for me as the first two, but a lack of confidence in a particular project can damper it to the point where it stays in hiatus hell for a long time. Until a couple of months ago, that’s where most of my writing was.

I don’t have any clear-cut, good advice that works for every individual when it comes to completionism and procrastination, as they are much, much trickier to overcome. The former is responsible for the hiatus on posting my artwork, because I’ve been set in this mindset that I realize is absolutely the stupidest, that I need to finish every piece I’ve begun before I can post any of it because it should all be posted together.
Yes, it is ridiculous, but when you are a perfectionist these little things will drive you mad while nobody else notices! It’s the key reason I wanted to redo those chapbooks so badly, because I can’t stand to have anything that seems unfinished or flawed. Even though they weren’t – to me they could have more and better content, so that’s what they’re getting.

Procrastination is a matter of breaking habits, namely avoidance and laziness. Procrastination is kind of like a very persistent and needy phantom that clings to you whenever you have the time and need to work. Like I said, I have no advice for this, it’s just something you’re going to have to decide to stop when you’ve had enough of it. No motivation in the world is going to work if you don’t really want to change. Some personal ambition grown from your own heart is necessary.
What I find squashes the want to procrastinate quicker than anything is thinking of what you won’t have in the years to come if you don’t do it while you can. You may miss your opportunity to write anything if you don’t seize them while they’re there. I have finished more in this month than the entirety of last fall and winter by keeping this in mind, so if it helps. It’s probably not too healthy to panic under time, but considering how little there is in our lives does make one want to live for more, I believe.

Thoughts on a Poetry Series

I’ve been at odds with myself over what to do with these volumes of poetry that I seem to have amassed. The only complete, inerrant one at this point, out of like, eight or so compilations’ worth, is Loverboy. So I’m going to leave that one be, and when I re-release the chapbooks, I’m going to restart them as a series! Just, it’s so much easier! And they’ll be very collectible with matching covers, inspired by the NYRB Classics (whose covers I love – and are mostly made from classic paintings). It’ll be lovely. Or well, lovely in their gruesome way.

I mostly want to gain credit and legitimacy as a self-published author with this collection, even though I will be trying for traditional publishing for certain other works if I can. But poetry I feel should be lending-friendly. It’s like music, it ought to be available to anyone who can benefit from it. It’s not quite the same as novels, and vital in a different way. Am I repeating myself?
Well, anyway, there’s going to be about twelve books + a rerelease of Absolute Heaven as a “book zero” of cut material and best-of poems. I know it’s likely not super-interesting to you before they’re released, but humor me. I like to throw ideas around. They’ll all have different themes, some dark, some not. One in particular warrants a legitimate trigger warning, and I don’t give those out lightly.

I’ll be releasing them randomly, in little sprinkles of beauty throughout the next two years in-between working on larger projects. I want to get into fiction full-time so badly, but poetry just happens! You can’t stop it! So something ought to be done with it all, in any case!

Phantom Mechanism – Rebooting MHz

I don’t think I’ve ever even talked much about the original MHz that came out last May. I made it and still never knew what to think of it, was the problem. It also had a strange, rather off-putting cover which I suspect is why it didn’t get the views the others did. That, and MHz is also the only one of the chapbooks whose haiku I never posted episodically on this blog.
I guess it doesn’t matter because the series was initially an experiment in the first place, and just now are being revived as actual, tangible books, and no one in particular has nitpicked it except for me… but something about this one always made me feel peculiar. Bashful about it, even, from square one. I never wanted to promote it. MHz has the most interesting potential and yet I feel will always be damned, because how do you recommend a surreal mashup of sci-fi and Japanese horror inspirations, but in a poetry format?

MHz will definitely be the most entertaining and reigns-free to reboot. There are less rules or direction necessary (not that there was a plethora with the other three, exactly). And yet, I think it will always be the least popular. I might be wrong, but we’ll see in May or April.

The new MHz, and to a lesser extension the old MHz and the touched-up segments that showed up in Absolute Heaven (which I still need to prepare a print book for, as grueling as it will be), are loosely based around the imagery found in the filmography of Shinya Tsukamoto. If you have zero idea who that is, you absolutely need to look it up right now.
The colour-cast look to Tsukamoto’s films is entirely dreamlike – to the point of them feeling like re-watching some of your weirdest dreams that you recall pieces of at random times. I love that aesthetic dearly, and several of those movies. They’re not really story-heavy, relying more on personal interpretation and just good old-fashioned entertainment for your visual cortex. Tsukamoto, in general, is sort of the “anti” pretentious art film. His movies are artsy, but like a painting, not a philosophy thesis that the director is intent on shoving down your throat.

Am I getting off-topic? Okay, well, MHz is set to be the last redone chapbook at this point. I’ve entertained doing a fifth one just because they’re fun and relatively easy to write and I think people will like reading them, but I’m afraid attempting storytelling is taking a precedent over my poetry right now, and probably still will be when these come out. I have the date April 21st in mind for the first two (Infinite Summer and Blood Ballet), and the second half should come right behind. I know I keep talking about them but they will actually be in print soon. Promise.

Woodland Dreams – Rebooting Infinite Summer

The Infinite Summer reboot is actually on the verge of being finished. All it lacks is a final edit and a cover, so it ought to be out first, I suspect around March. Infinite Summer was my favourite one, and that remains true. This is the “lightest” one thematically, having a ghostly, romantic fairytale vibe. Probably should’ve spent the time I spent on the original on useful literature, but hey, it was pretty fun.

At the risk of deflating my own update post, I honestly don’t have as much to say about it as I imagined I would. I have fewer aspirations with its makeover than the others, I guess. The old versions of the haiku are still posted starting here. I don’t think I’ll remove these, even though they’ve gone through variable changes. There’s not really a reason to. It could be quite fascinating to see the improvements, or disagree with them if you thought the old were better.

If you’ve ever thought about trying your hand at fantasy poetry, you ought to. Don’t be shy about displaying it, either, there needs to be more genre poetry in the world. Fantasy is general is a sort of imagination exercise, but fantasy with the loose non-limits of lyricism is even more so. Not too many publish their fantasy poetry, it seems. Continue reading “Woodland Dreams – Rebooting Infinite Summer”

Bleak Feminine – Rebooting Blood Ballet

Oh, Blood Ballet. You… I really don’t like you, Blood Ballet. But we’re going to remedy this. The anodyne for this chapbook being, well, kind of terrible, is completely redoing it in the way I should’ve done it initially.
The Blood Ballet that is available as part of Absolute Heaven is more what I wanted it to be, but still not exactly. I wanted it to portray a “feminine gruesomeness” with a horror-movie aesthetic. This go around with the full book, I want it to be somewhat more feminist. Not in an overbearing way, just through dealing with more women’s issues. That’s what it was supposed to be but ended up being like, gross-out junk and surrealist nonsense.

Without going into a tangent, and believe me it would be the god emperor of tangents, I think that just the female experience in general lends itself to a lot of horror – biological, psychological, you name it. Yet rather than mollify unpleasant experiences by discussing them openly, many would rather put up a very thin façade that all women are happy all the time, no matter the circumstance.
I actually received that message, more or less, with a rejection letter for a poem once that works revolving around the problems of women should only be more “empowering” or “inspirational”, that what I wanted to say was too dark for mainstream consumption. They could’ve just said “your writing straight-up sucks” and it would’ve been less offensive than that.

I don’t even care about the poem but I will never let that comment go, because that is not reality. You cannot keep only the good and snuff out the negative if you want someone’s real experiences in a book. Continue reading “Bleak Feminine – Rebooting Blood Ballet”

Intergalactic Romantic – Rebooting Cosmic Love

Cosmic Love is the most popular book on my Goodreads page. It’s out of print! On purpose! I was originally going to keep it out of print and direct interested readers to Absolute Heaven, which still includes the original content, but I think the idea of Cosmic Love deserves a makeover as a real book instead of a half-assed freebie.
The cover was more work than the insides on the first run. The cover took around three weeks whereas the poems took about three to four days to write and revise. I’m painting the cover digitally or using stock photos this time, so the work will actually go towards the sustenance of the chapbook rather than solely the cover.

Besides the technicalities, though, the four upcoming chapbooks have individual themes that I feel reflect four different layers of darkness. Kind of like Dante’s Inferno but entertaining instead of you know, taking you through eternal torment. Hopefully.

Cosmic Love began with the idea of “romantic parasitism” and a lot of surrealist sci-fi imagery. Some was good and some read kind of drunkenly – I had to edit the second half much more heavily than the first. Out of the four, it’s the second-lightest in terms of content. The level of grotesque and dark themes is apparent but still pretty low and with a basis in fantastical, more delicate prose.

If you want a copy, it’ll probably be free in eBook. Don’t know if I’ll attempt a paperback or not, that’ll depend on how many pages it ends up being. If it’s under 50, then probably not.

Musings on Explicit Content

The term “explicit” in the context of something that is not suitable for younger or more sensitive audiences is an interesting, and extremely loose term. One individual may think that a picture of a woman in a bikini is explicit, while another may think that only the most heinous, taboo acts of violence and sexuality are explicit. Judgment of the term varies heavily across a spectrum from mild to graphic to “why would a human make this” levels when it comes to art and writing.

Personally, I consider “explicit” content to have material that may be extremely upsetting, somewhat tasteless but not promoting harm, or has enough nudity that you couldn’t look at it at work. I agree… somewhat begrudgingly… to websites mandating an explicit filter, such as DeviantArt. Anyone who doesn’t have an issue with possibly explicit content can just turn the filter off.
However, if the website is for adults and older teens, there is no purpose in being childish like Tumblr and outright banning anything that might be explicit, even if most people would not agree that it is. I have difficulty using Tumblr that often anymore because their new filtering system seems to have broken my tag system, and little that I write shows up on the search anymore. But that’s a rant I’ve already gone through.

When does someone consider a piece they’ve done explicit? It’s a pretty different experience between visual media and writing. Most writers are very aware that their content might be inappropriate for some, seeing as they usually have a clear audience in mind, but what about art?
Artists usually don’t think of their work, at least I don’t think of mine, as something that would bother somebody else, because it just kind of happens for us without there being much thought. Nudity is natural to art, and has been since cave drawings. The beloved classics of art can get quite raunchy for their day, as well, though this doesn’t keep photos of them out of textbooks, as it shouldn’t! Continue reading “Musings on Explicit Content”