I don’t think I’ve ever even talked much about the original MHz that came out last May. I made it and still never knew what to think of it, was the problem. It also had a strange, rather off-putting cover which I suspect is why it didn’t get the views the others did. That, and MHz is also the only one of the chapbooks whose haiku I never posted episodically on this blog.
I guess it doesn’t matter because the series was initially an experiment in the first place, and just now are being revived as actual, tangible books, and no one in particular has nitpicked it except for me… but something about this one always made me feel peculiar. Bashful about it, even, from square one. I never wanted to promote it. MHz has the most interesting potential and yet I feel will always be damned, because how do you recommend a surreal mashup of sci-fi and Japanese horror inspirations, but in a poetry format?
MHz will definitely be the most entertaining and reigns-free to reboot. There are less rules or direction necessary (not that there was a plethora with the other three, exactly). And yet, I think it will always be the least popular. I might be wrong, but we’ll see in May or April.
The new MHz, and to a lesser extension the old MHz and the touched-up segments that showed up in Absolute Heaven (which I still need to prepare a print book for, as grueling as it will be), are loosely based around the imagery found in the filmography of Shinya Tsukamoto. If you have zero idea who that is, you absolutely need to look it up right now.
The colour-cast look to Tsukamoto’s films is entirely dreamlike – to the point of them feeling like re-watching some of your weirdest dreams that you recall pieces of at random times. I love that aesthetic dearly, and several of those movies. They’re not really story-heavy, relying more on personal interpretation and just good old-fashioned entertainment for your visual cortex. Tsukamoto, in general, is sort of the “anti” pretentious art film. His movies are artsy, but like a painting, not a philosophy thesis that the director is intent on shoving down your throat.
Am I getting off-topic? Okay, well, MHz is set to be the last redone chapbook at this point. I’ve entertained doing a fifth one just because they’re fun and relatively easy to write and I think people will like reading them, but I’m afraid attempting storytelling is taking a precedent over my poetry right now, and probably still will be when these come out. I have the date April 21st in mind for the first two (Infinite Summer and Blood Ballet), and the second half should come right behind. I know I keep talking about them but they will actually be in print soon. Promise.